But the downside is that you’ll have far less control over the lighting.īut by using multiple flashes, you can manipulate the light in such a way as to make your subject stand proud from the background-making sure your subject stands out of the scene. The outdoor portrait shot can give a much better sense of place than a studio shot-whether in highlighting your client’s place of business or in some other setting that has a particular resonance for the subject.
Outdoor Corporate Portrait PhotographyĬamera settings: 85mm, f/2.8, ISO 320, 1/250 sec.
The size and volume of potential light modifiers makes it impossible to carry all the equipment available in a studio on location and so offers a broader spectrum of options in your images. Furthermore, you have a straightforward setup that works for when you need to take multiple portraits in a short space of time. These will work even with cheap paper backdrops and, with a white background, the resultant shot can be easily incorporated into documents. The trick is to bounce your master flash onto your subject, while targeting your slave flash at the background wall. One of the most effective methods is to use two infrared flash lights, especially if you’re looking for clean, crisp portrait on a white background. Studio photography in corporate portrait photography, gives you complete control over the look of the image you are creating as you are able to modify the lights in all sorts of ways, such as the angle, distance from subject, and light output. The benefit of studio portraiture is the ability to completely control how much and what type of light falls on your subject. The key to being a consistently good studio photographer, rather than scoring with the odd lucky shot, is to understand lighting. Each one demands a different skillset and technique-so if you can master them all, you’ll become a well-rounded corporate photographer. These six different styles can be used to create a wide variety of corporate photos, so it’s worth having several of each in your portfolio. In this article, we’ll be looking at a variety of corporate photography styles, each of which may suit a different client or a different set of circumstances, paying particular attention to lighting considerations. Note: All following images were made with a Nikon D800, Nikkor 85mm 1.8 D and 50mm 1.4 G Camera settings: 85mm, f/16, ISO 200, 1/200 sec. There are multiple ways of achieving your client’s desired result. Today’s corporate portrait needs to tell a story, illuminate an individual or create an image. If you thought corporate portrait photography involves taking pictures of men in suits in offices, you would be only partially correct.